THE VENUS DEAL

Chapter One

 

            Ten days ago, before Cynthia Moon had run off on her mysterious errand, Clyde McGrawÕs orchestra blew like crusading angels. Now they sounded like theyÕd spent the weekend playing at a funeral and they were battling just to stay alive for the next one. The four-man horn section mightÕve had lung disease; the two violins, string bass, electric guitar, and drummer looked arthritic. Clyde could barely lift his baton. The only one who appeared alive was the singer, Billy Martino. Dressed in a burgundy dinner jacket, slippers to match, black pin-striped trousers, his shiny hair poofed up high except for the spit curl that adorned his forehead, he crooned ÒWhite ChristmasÓ as passionately as a French legionnaire condemned to an outpost in Tunisia.

            Tom Hickey sat on a stool, leaning on the bar at the opposite end of the nightclub, across the dance floor under its flickering chandelier and beyond the dining room furnished with oak tables and leather-upholstered booths. Hickey was a big man, shoulders so broad he didnÕt use padding in his suit coats, or else heÕd appear monstrous. He had a ruddy complexion and thin, scraggly hair beginning to gray. His nose was long, his chin cleft, his eyes steady and quick, azure blue. He gazed around at the clientele.

            In the half-empty dining room were a few couples, two small gangs of secretaries, a family with whiny kids. They ate and drank heartily, disregarding Martino. The only couple on the dance floor had stopped to gab. One fellow at the bar sat with his hands over his ears.

            All through November, until ten days ago, every night the place had been jammed. At midnight the line outside used to run a short block down Fourth Street toward Broadway. Over the weeks since Clyde discovered Cynthia Moon, word had reached L.A. Carloads of men trekked a hundred miles to gawk at her.

            By now the military brass, flyboys, enlisted fellows whoÕd been saving all month or won big at poker—the crowd that until last night made RudyÕs Hacienda the hottest club in town—had found better action than Martino.

            As ÒWhite ChristmasÓ faded, Hickey admired the rich baritone, no matter if he made Billy for a vain weasel who wouldnÕt know an honest emotion if it tried to strangle him. He faked the passion as well as most crooners. But he wasnÕt fooling this crowd. They mustÕve been saving the goodwill for Christmas, eleven days off.

            Christmas and New YearÕs Eve were already booked full. If Cynthia didnÕt show up by then, Hickey might pack up his wife and daughter, flee up to Lake Arrowhead, and leave his business partner to make the apologies. Castillo deserved the aggravation.

            When the singer bowed, a few paws clapped dutifully. A kind secretary whistled. A man at the bar, three seats from Hickey, hollered, ÒSend the pansy back to Mars.Ó

            Hickey sighed, rose, and stepped in front of the loudmouth, a tipsy banker with jowls that quivered and a bow tie. HickeyÕd seen him around, usually in the Playroom in the basement of the U.S. Grant Hotel. ÒBe nice,Ó Hickey said. The banker held his smirk about a second, then gulped and wilted.

            Returning to his stool, Hickey wondered if a host who owned the place ought to let himself act like the bouncer. His partner wouldÕve sent the doorman over. Castillo wouldnÕt risk getting his pointy nose busted—if the Cuban was going to fight a guy, heÕd sneak behind him first.

            On nights like this one, and the whole past week, when the best they could hope was to break even, Hickey wondered why heÕd gone into business with a shark like Paul, as if he didnÕt find enough trouble in his day job, junior partner in Hickey and Weiss, Investigations.

            The musicians got livelier as they hopped off the stage, lighting cigarettes and heading outside for air or to a booth to charm a secretary and take her for a stroll around the block.

            Clyde McGraw dragged his patent-leather shoes across the dance floor, his head down, mumbling like a priest. Without looking up, he shuffled around the tables and booths, nudged the stool next to Hickey out of his way, and leaned both elbows on the bar, chin in his hands. ÒDouble Manhattan.Ó

            Clyde had skin like milk chocolate, mahogany brown hair parted in the middle, a gray-flecked pinstripe mustache. He wore a beige cotton suit, his lime green silk shirt buttoned at the collar, jeweled rings on six of his long pianistÕs fingers. Finally he raised his head and turned his bloodshot eyes on Hickey. ÒMister Castillo comes back in the kitchen while IÕm taking supper, says if the girl donÕt show by the weekend, we gonna be blowing on the corner with the Salvation quartet. Merry Christmas, no? I tell him, ÔWe got a contract till Valentines Day, if you recall.Õ The cat winks, thatÕs all. I jump on the phone, gripe to Arlo down at the union. HeÕs got to check with somebody. When he rings me back, hereÕs what I get. ÔSomebody mess with Paul Castillo, somebody be hurting.Õ Looks like you got a mob behind you, Tom. That a fact?Ó

            ÒNaw,Ó Hickey said, and meant it, but a grain of doubt made him shiver. HeÕd checked as far as he could on Paul Castillo, and the man came up clean. But that was a half year ago, and a dozen times since, Castillo had miraculously got what or whoever he wanted in spite of the wartime rationing. Creamery butter, lobsters still shivering from the waters off Maine, a quintet of Stan KentonÕs musicians away from their booking at the Pacific Ballroom.

            ÒYou let him break the contract, Tom?Ó

            ÒItÕs a tough business,Ó Hickey said. ÒGuysÕll pay a cover to see the girl. All you got nowÕs Martino. Maybe we have to drop the cover charge, we donÕt make enough to pay a whole union orchestra, we got to find a three-, four-man combo instead.Ó

            ÒGirl wasnÕt specified in the contract, Tom.Ó

            ÒMaybe she was implied.Ó

            ÒAh, you gonna step on me too.Ó

            ÒNot if I can help it,Ó Hickey said. ÒYou go find the girl, or get another one like her.Ó

            ÒLike her, yeah.Ó Clyde turned to his drink, ate the cherry. ÒWhere IÕm gonna find one like her? No such thing. SheÕs a crackerjack, Tom. IÕm losing my wits, ringing up her landlady, fretting, youÕd think I was her pop.Ó

            Hickey snatched his pipe and tobacco pouch out of a coat pocket, filled the pipe, tamped, and fired it up. ÒWhereÕs she live?Ó

            McGrawÕs eyebrows lifted, his chin jiggled. ÒThere we go, you find her. ThatÕs your game.Ó

            ÒYeah,Ó Hickey said. ÒFor twenty a day, plus.Ó

 

Read on.